
Sanatçı
Cazzu
Popüler
Albümler
Tekliler ve EP'ler

Perdón si no te llamé
2026 · Tekli

Jujuy Estrellado
2026 · Tekli

Otro Como Tú
2025 · Tekli

Balada Malvada
2025 · Tekli

Con otra
2025 · Tekli

DOLCE
2025 · Tekli

LA CUEVA
2024 · Tekli

Glock
2023 · Tekli

Brinca
2023 · Tekli

Peli-Culeo (Remix)
2023 · Tekli

De Pari
2022 · Tekli

Maléfica
2022 · Tekli

Jefa
2022 · Tekli

C14TORCE V: Balada para un Alien
2022 · Tekli

Castigo
2021 · Tekli

Sobre Mi Tumba
2021 · Tekli

Dime Dónde
2021 · Tekli

TURRA
2021 · Tekli

C14TORCE IV
2021 · Tekli

Dándote
2020 · Tekli

Gatita Gangster
2020 · Tekli

Bonus Trap
2020 · EP

Esquina
2020 · Tekli

C14TORCE III
2020 · Tekli
Yer aldığı albümler

Alma de Rezabaile (Casa Sole)
Soledad

Tú y Tú
Los Angeles Azules

CAZZU | DJ TAO Turreo Sessions #9
DJ Tao

Matatan (Remix)
Kaleb Di Masi

Las Nenas (feat. La Duraca)
Natti Natasha

Tu Verdad
Dylan Fuentes

Animal
Maria Becerra

ESPEJISMOS
Bhavi

Solita (Remix)
Mechi Pieretti

Ladrón
Lali

Cama Vacia
Ecko

Soltera
Miss Bolivia

La Gatita (Remix)
Lalo Ebratt

Cazzu: Bzrp Music Sessions, Vol. 32/66
Bizarrap

Deportivo
Álvaro Díaz

Dolores (Remix)
Choclock

Sheesh (Remix)
Brray

LENTO
Tainy

After House
C.R.O

Se Te Nota
Alejo Park

No Me Ignores (feat. Cazzu & Eladio Carrión)
Jay Menez

Te Olvidaste
Jowell & Randy

Quien Empezó
j mena

Mi Llamada (Remix)
Lyanno
Hayranlarının sevdikleri
Tümünü görHakkında
Julieta Emilia Cazzuchelli (born 16 December 1993), known professionally as Cazzu, is an Argentine rapper, singer, poet and writer. Born and raised in Fraile Pintado, Jujuy, she is known widely as "La Jefa" and "Madre del Trap" for being a pioneer in shaping the Latin Trap Movement. Initially gaining popularity with her trap saga "C14torce", she has expanded her sound to include R&B and hip-hop. Her most recent work, Latinaje, explores Andean folklore and traditional sounds, while also dabbling in new genres such as corrido tumbados, described by Rolling Stone as "a sprawling, ambitious, and unifying celebration of Latin American music".





















